Barbican Arts Centre Grandee & PR Guru Emma Kane ‘Excited’ To Be Associated With Slave Traders & Paedophiles

Emma Kane is currently chair of Barbican Centre Trust and a member of the Barbican Centre Board. Needless to say, she is not the only member of the Barbican Arts Centre Board to have done or said things that undermine the diversity and inclusion policies that such organisations ought to – but all too often don’t – follow. As this blog reported back in 2018 the ‘chairman of the Barbican in London (Giles Shilson) has apologised after comparing the Welsh language to being dyslexic.’ Many were appalled both by Shilson’s racism and his ableism but it seems to have no impact on his standing at the Barbican; he is currently deputy chair of the Barbican Centre Board to Tom Sleigh’s chair – but such positions are swapped around among the elite as a matter of course in the City of London.

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Tim Hailes, Edward Lord & The City Of London’s Twisting On Equality & Diversity

Taken out of the broader context of their City of London political activities and affiliations, the arguments Tim Hailes and Edward Lord make for equality appear very reasonable; closer examination shows they’re pushing an agenda of paying lip service to diversity and making concessions that are hard to avoid, while attempting to preserve a patriarchal status quo whose main interest is defending the privileges of a super-rich elite. Both appear incapable of pushing beyond their current agendas to a more inclusive vision of equality that is critical of male privilege and class privilege in all their forms – including men only masonry.

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Ongoing Fiasco Over City of London School For Girls Expansion

There is nothing peculiar about the fact that the City of London council are lending a private school more than £15million – subject to the same local authority granting planning permission for the scheme it already backs – while simultaneously seeking £30million in cuts from its parks and other budgets, and when it has just secured £450million in external loans for unwanted vanity/legacy projects such as the proposed Centre For Music. This rotten borough lobbies globally for neo-liberal policies that benefit the super-rich at the expense of everyone else, so its willingness to underwrite the expansion of an elitist school – to the detriment of London’s architectural heritage and against the interests of the local community – reflects perfectly its aims and priorities.

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