On The City Of London Historic Landmarks Consultation

More than a year ago we posted a blog entitled City of London ‘Consultations’ Are A Sham Designed To Rubber Stamp Decisions That Have Already Been Made. Our experience of City of London consultations has consistently been dispiriting and disappointing, something that will surprise no one who understands that this council is not just undemocratic but that it actively seeks to undermine democracy beyond its own local authority boundaries. Last week the City of London launched a consultation exercise on historic landmarks and the way it is framed and has been publicised indicates it will be as much of a sham as previous consultations.

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Barbican Arts Centre Grandee & PR Guru Emma Kane ‘Excited’ To Be Associated With Slave Traders & Paedophiles

Emma Kane is currently chair of Barbican Centre Trust and a member of the Barbican Centre Board. Needless to say, she is not the only member of the Barbican Arts Centre Board to have done or said things that undermine the diversity and inclusion policies that such organisations ought to – but all too often don’t – follow. As this blog reported back in 2018 the ‘chairman of the Barbican in London (Giles Shilson) has apologised after comparing the Welsh language to being dyslexic.’ Many were appalled both by Shilson’s racism and his ableism but it seems to have no impact on his standing at the Barbican; he is currently deputy chair of the Barbican Centre Board to Tom Sleigh’s chair – but such positions are swapped around among the elite as a matter of course in the City of London.

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Culture Mile Is Now Artwashing Animal Cruelty Alongside Colonial & Neo-Colonial Crimes

The statues, institutional names and other memorials that have been under a media spotlight in recent weeks are the art and charity washing effluent of former times. It is right and proper that they should be removed from public spaces and put in storage. It is also worth noting that many of the slave trader memorials featured in recent news stories are for men who were in their time top City of London council officials including William Beckford and Robert Geffrye who were lord mayors, and John Cass who was a sheriff. One of the City’s current artwashing projects is the so-called Culture Mile. This consists both of grandiose projects such as a ridiculously expensive Centre For Music, and lesser ‘pop up’ programmes including last month’s Radio Local, which functioned to compromise those who involved themselves in it by drawing them into the City’s artwashing orbit and mixing together self-organised community initiatives such as a local food bank with the obnoxious animal cruelty operation Club Gascon (which masquerades as a restaurant and specialises in foie gras torture dishes).

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City Of London’s Culture Mile & Submission Of Markets Plan

Moving wholesale markets to the edge of the city is sensible and is to be welcomed, as is the use of some of the freed up land for housing; as long as this doesn’t turn out to be luxury ghost homes for investors. That said, the City has already made it clear it wants to use Smithfield and the site of the Museum of London (if it is vacated) for vanity Culture Mile projects rather than housing. We don’t want a dead culture pitched to the victims of an unsustainable tourist industry. None of the exciting new cultural developments – such as grime – that have emerged from London in recent decades were funded by artwashing out-of-touch ‘patrons’ such as the City of London. Rather they grew from the very communities the Culture Mile will effectively exclude. Building council flats to sustain social diversity would do a lot more for culture in London than the Culture Mile will ever achieve.

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We’re In Lockdown, Time To Cancel The Centre For Music Vanity Project

After the decimation of the culture industry and many other economic sectors caused by the Covid 19 lockdown, it would be obscene if the City of London went ahead with its over-priced vanity project for a new classical music venue on the site currently occupied by the Museum of London. We’re at the start of a huge recession and London already has all the classical concert halls it needs. The proposed £288 million spend could be much better used mitigating the economic toll the current pandemic will have on the lives of those living in the City of London and other London boroughs. The City council needs to cancel its plans for the unwanted Centre for Music now!

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Culture Mile Vanity Project Drives City Residents Around The Bend

The utter banality and blandness of the City of London’s corporate Culture Mile project continues with Around The Corner a series of 12 ‘installations’ (11 words & a question mark) between Millennium Bridge and Barbican Station that function as metaphorical piles of poo dropped into this part of the City from a great height. These atomised words spread out along a few streets make up the sentence: “What are you going to meet if you turn this corner?” pointlessly lifted from Virginia Woolf’s 1922 novel Jacob’s Room.

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City Of London Residents Get A Choice Between Halloween Trick or Toxic Treat

Steve Bolton of Legal & General Investment Management who’ve just lent the city £125m describes the Culture Mile and related projects as ‘regeneration’ but we’ve heard that one before – what this really means is the marginalisation and social exclusion of anyone who isn’t rich. Here we reproduce Bolton’s Halloween trick or toxic treat message as reported in one branch of the corporate media.

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Ongoing Fiasco Over City of London School For Girls Expansion

There is nothing peculiar about the fact that the City of London council are lending a private school more than £15million – subject to the same local authority granting planning permission for the scheme it already backs – while simultaneously seeking £30million in cuts from its parks and other budgets, and when it has just secured £450million in external loans for unwanted vanity/legacy projects such as the proposed Centre For Music. This rotten borough lobbies globally for neo-liberal policies that benefit the super-rich at the expense of everyone else, so its willingness to underwrite the expansion of an elitist school – to the detriment of London’s architectural heritage and against the interests of the local community – reflects perfectly its aims and priorities.

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City of London Attempts To Flatten All Opposition To Culture Mile Gentrification and Social Exclusion

Over the past few weeks the Talk Culture Mile series of events in the City has demonstrated the exclusionary nature of this project, with the aim being to bring ‘together organisations from across all sectors’ while not inviting the main stakeholders, local residents. So while the Improving Social Mobility Through Creative Skills talk was held at Golden Lane Community Centre on 4 July 2019, no one involved troubled themselves to notify tenants on the council estate that houses the venue of this event, since it seems the idea is to leave the organisation of social mobility to professionals – who we assume are mostly interested in preserving their own privileges by holding back the working class. The fact this talk was intended for people unfamiliar with the area rather than local residents was underlined by the leaflet promoting it carrying the following information after the venue’s address: “The community centre is opposite Great Arthur House, EC1Y 0RD”. Local people know where the community centre is.

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City of London ‘Consultations’ Are A Sham Designed To Rubber Stamp Decisions That Have Already Been Made

City residents will have recently had a copy of the June issue of City View: The Magazine of the City of London Corporation drop through their letterbox. The whole of page 3 is dedicated to the proposal/done deal to relocate three ‘historic’ markets to a new site in Dagenham. Funds are being raised for this move and other projects on the basis it is a done deal, while at the same time City residents and other stakeholders are told this ‘proposal’ is the City’s preferred option and they are being consulted about it. This, like all City consultations is a PR exercise in rubber-stamping a decision that has already been made.

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