Concilio, Luke Tatton & The Sham Castleforge Consultation Over 1 Golden Lane

Stakeholders’ were gaslit with an extraordinarily inaccurate A3 graphic prominently displayed last week at the 1 Golden Lane post-submission exhibition. Key point 5 with an arrow pointing to Great Arthur House on the Golden Lane Estate – a building adjacent to the Community Centre where the post-submission exhibition took place – is described in words as “Golden Lane Estate. Office high-rise surrounded by residential blocks”. There are no office blocks on the Golden Lane Estate, all blocks including the high-rise tower are residential – anyone walking in or out of the Community Centre exhibition could hardly fail to miss this since Great Arthur House (the high rise tower) looms over it.

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Culture Mile: A Nightmare On Beech Street

If the City of London wishes to become a ‘world-class’ cultural destination then clearly it needs to dump its current arts policies that relentlessly pursue the middle-brow, apparently with the aim of facilitating corporate junkets. More of a gritty urban vibe is required, alongside cultural institutions that actively do away with the Puritanism that has characterised the City establishment for hundreds of years. The last thing needed is a privately educated knob like “Sir’ Simon Rattle promoting light orchestral garbage in a specially built and extortionately expensive ‘Centre for Music’ AKA a concert hall. The best way to vibe up the neighbourhood is the provision of a great deal more social housing, so that there is an even bigger working class population. Not that it isn’t substantial already on both the Golden Lane Estate within the City of London, and in the extensive Peabody Trust social housing that lies just over the borough boundary with Islington.

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