We call on all those involved in the culture industry and more specifically those commissioned by or involved in commissioning for The Crossrail Art Foundation to boycott this organisation and any work it manages to install on the ‘Elizabeth Line’. Beneficiaries of these commissions and commissioning agencies currently include Spencer Finch, Darren Almond, Richard Wright, Douglas Gordon, Simon Periton, Yayoi Kusama, Conrad Shawcross, Michal Rovner, Chantal Joffe, FutureCity, Lisson Gallery, White Cube, Sadie Coles HQ, Victoria Miro, Whitechapel Gallery and PACE. To what extent these individuals and art organisations were aware of the nefarious activities of the City of London when they involved themselves with the Crossrail Art Foundation is unclear, but once they’re alerted to what’s going on unless they actively support the City of London’s anti-democratic agenda we would expect them to drop this connection.
Catherine McGuinness and those around her who are engaged in a crusade against democracy have ensured that virtually nothing has changed in terms of the feudal power dynamics and secrecy at the City of London council. Potential conflict of interest issues as regards Sir Michael Bear, James Thomson and Chris Hayward aired in the national press still require satisfactory answers, as do many other related questions that local residents want addressed – such the hiring of councillor James Thomson’s Keepmoat company to do housing repairs and the discussions of the Standards Committee on the free and subsidised use of council premises by men only masonic lodges. While Graeme Harrower’s proposals were an improvement on the status quo, for us they did not go nearly far enough in terms reforming the City of London. That said, even Harrower’s attempt at tiny improvements was obviously way too much for the enemies of democracy who control the council. The democratic reform required to enable residents’ voices to be heard is the glaringly obvious one of abolishing the business vote!Read more "Susan Pearson Gagging Row Update"
The committee Oliver Lodge heads has come under fire recently for being high-handed and bullying. The Standards Committee initiated proceedings against councillor Susan Pearson for speaking against a proposal to delegate a planning application to Islington Council. The matter was referred to police for potential prosecution and Pearson was informed of this via the City solicitor. After reviewing the matter the cops declined to further involve themselves in this attempt at gagging and intimidation. To outside observers it looks like the Standards Committee operates on double standards, with a very harsh set of rules for the minority of councilors elected to represent local residents, and another very lax set for those who hold positions of power acting as lobbyists for the finance and law industries thanks to undemocratic business votes.Read more "Oliver Lodge, Freemasonry & The City of London Standards Committee"
The City of London is not democratic because this council is elected mostly on business votes given to the likes of bankers who don’t live within its local authority boundaries. As a result it ignores local residents’ interests and instead spends millions of pounds a year lobbying for neo-liberal causes. We’ve also seen the council’s former leader Mark Boleat agitate for the removal of democracy from other UK councils when it comes to planning decisions, and this was done with the financial backing of the City of London Corporation. Likewise, the City of London Standards Committee appears incapable of properly addressing conflict of interest and inclusion issues when it comes to subsidising freemasonic activity by its members and their friends. That said, a story that appeared in a couple of local newspapers this week shows that the Standards Committee and their supporters in the City of London have now totally lost the plot with regard to their rabid attitudes toward local residents and democracy.Read more "City of London Loses The Plot In Its Crusade Against Democracy"
The City of London council keeps the vast majority of its voters off the electoral roll and instead places them on what it calls the ward list. Those drawn for jury service come solely from among the few thousand residents in the area who are on the electoral roll. The ward list system ensures that the roughly 32,000 business voters who are placed on the ward list but not the electoral roll are NOT considered for jury service! Given that business voters are privileged to vote both where they work and where they live (assuming they have placed themselves on the electoral roll where they live) it would only seem reasonable that they are considered for jury service both where they work and where they live.Read more "Business Votes: Power Without Responsibility"
Rather than exposing the City of London as the UK’s last rotten borough and exploring the area’s often disreputable history – the racist tropes cooked up by Protestant bigots in Grub Street, the violence and extra-legal activity around the Shrieval Election of 1682, or the notorious bawdy houses of Cripplegate etc. etc. – the Culture Mile has to date consisted of the super-bland artwashing. Instead of the proposed Centre of Music being built on the current Museum of London site, we’d rather see housing for refugees. Likewise there is already a huge daily footfall of visitors in the Culture Mile area and seeking to increase this will make life worse for its residents. Tourists aren’t wanted and nor are retail outlets selling overpriced goods to sightseers either.Read more "Culture Mile: Tourists Go Home – Refugees Welcome!"
The Corporation of London has rarely come under serious scrutiny since 1960 when a royal commission on local government in Greater London considered in great detail whether the ancient body could and should continue as a separate local authority. Sadly, its conclusion was feeble: “If we were to be strictly logical we should recommend the amalgamation of the City and Westminster. But logic has its limits and the position of the City lies outside them.”Read more "The Last Rotten Borough Revisited"